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Keyworth Pictures
invites you to Hotel Reverie.
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Renowned Dr. Alex Palmer
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encounters tragic
heiress Clara Ryce.
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Waiter, another scotch, please.
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- And for yourself?
- Thank you. A Black Rose.
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A rose for a rose.
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A piano standing silent
always makes me so melancholy.
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It's silly, I know.
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If it's "Clair de Lune" you want,
it's "Clair de Lune" you shall have.
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Yet, even as
their affection grows,
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the pair are unaware
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Clara's fiendish husband,
Claude, is plotting her death.
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My accursed wife has more
lives than a damn cat.
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She dies tonight.
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Don't move.
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Oh my goodness!
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Your studio, Keyworth Pictures,
has the most incredible back catalog.
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Noir thrillers,
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wartime romances,
caper comedies.
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An unrivaled collection
of heritage media.
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By "heritage," you mean old.
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I mean, uh, vintage.
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You have a great reputation.
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Fifty years ago, yes.
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Look, I know you're trying
to blow smoke up my arse,
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but let's be real.
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My stages are empty. We're
up to our knockers in debt.
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I was in Cannes last week
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trying to sell our library to
some streamers, and they were NFI.
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NFI? That's a non-fungible...
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Not fucking interested.
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The Keyworth brand
is not what it was.
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We're going under, and
everybody knows it.
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Well, I believe with
your prestige content...
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Please don't call it
content. Makes me heave.
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Okay. Okay.
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I'm... I'm sorry.
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Prestige movies.
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Dreams. Classics.
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Like Hotel Reverie.
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"I'll be yours forevermore."
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My father's favorite.
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And mine.
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But try telling
that to the public.
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- I think you'll find them...
- NFI.
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Well, you know,
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what's the point of watching an
old movie starring Ralph Redwell
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when you could watch a new movie
starring Ryan Gosling or Ryan...
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Reynolds?
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Yeah. But they're way
out of my price league.
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Well, what if I told you
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my company has an affordable way
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to take a shuttered
classic, like Hotel Reverie,
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and almost instantly recast the lead
with a contemporary Hollywood star?
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- We can't...
- Whoa, whoa, whoa!
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Who you will be able to afford
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because you'll only need
96 minutes of their time.
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You're gonna use one
of those AI paint boxes
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and deepfake Ryan over Ralph...
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What we're proposing isn't fake.
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It's real.
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Oh, you've intrigued me.
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So which Ryan are
we calling first?
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Hey, Brandy.
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Listen, the studio are chasing.
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I'm telling you, I just love
this project for you right now.
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We all do.
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And, hey, the money
is off the chart.
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Call me when you get a
chance. Bye now. Bye-bye.
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No.
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Whoa now. Did you read the material?
Lola's in almost every scene.
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- It's a big role.
- It's a big supporting role.
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Backing up Mr. "Lead
Dude" again.
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Hey.
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You get lead roles.
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Yeah, for Sundance misery porn.
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You don't want those
roles anymore either?
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I'm saying I'm tired of
my only available options
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being noble victim
or fuckable sidekick.
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I can't control which box
the world wants to put you in.
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It's the same box,
and I'm sick of it.
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You know I got into
this to be other things.
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To express other things.
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Like what?
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Like something romantic.
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This is romantic.
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For the lead guy. I
don't wanna be pursued.
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Why can't I pursue?
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Huh?
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I just want
something... magical.
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Timeless. Something
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I can escape into.
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Are you talking career
or personal life?
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Both.
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Where's my Casablanca?
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Where's... where's...
where's my Brief Encounter?
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Come on! British
romance. 1940s. Classic.
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Like Hotel Reverie?
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Yes! Hotel Reverie.
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"I'll be yours forevermore."
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Is that where that
line comes from?
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The iconic final line? Yeah.
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Hey, I knew the
line, not the movie.
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Weird thing is, this is the second
time this has come up this morning.
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- What do you mean?
- The studio. Uh, Keyworth... something.
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- They're doing some kind of reboot.
- They're remaking Hotel Reverie?
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Yeah, with a high-tech shooting style.
They want an A-lister for the male lead.
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- To play Alex? Dr. Palmer? I wanna do it.
- Yeah.
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It's a male lead.
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So they... they can't flip it?
Have a woman play the lead?
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They want a Ryan.
One of the Ryans.
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Tell them I wanna do this.
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- So I'm afraid Ryan's a "no."
- Which one?
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Both of them.
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Sorry, did you say that they don't have to
talk British? They... they can be American?
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Didn't get that far.
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Also, Timothée
Chalamet is unavail.
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Chris Hemsworth didn't
connect with the material.
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Donald Glover says thanks
for thinking of him,
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but he has a family commitment.
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- So they're all NFI?
- Sorry?
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Is there really not one
A-lister who's curious?
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Well, you won't believe this,
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but Brandy Friday's team
says she's interested.
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Holy shit! Brandy Friday?
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She big?
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She's... she's huge.
She... she's available?
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I tried to explain it's
not the Clara role, but...
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Well, could we make
it the Clara role?
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That's the thing.
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They said she's only interested
if she plays the lead.
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- Well, that's just...
- Brilliant.
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Ready.
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Should I just pretend
it's a normal call?
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- Yes.
- Right.
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Here we go.
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I realize I'm... I'm waiting for it to
ring, but it's not connected, is it?
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No.
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God, I'm such a fool.
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Right, I'll imagine
it's ringing.
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Hello, Ryce-Lechere residence.
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To whom am I speaking?
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I...
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Oh, God damn it.
145
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Well, it's just so hard when
there's no one on the other end.
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Uh, from the top.
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Take two.
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00:07:55,320 --> 00:07:57,640
Hello, Ryce-Lechere residence.
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To whom am I...
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00:08:03,560 --> 00:08:05,079
Buckinghamshire, England.
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00:08:05,080 --> 00:08:06,439
And an outpouring of grief
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00:08:06,440 --> 00:08:10,039
as actress Dorothy Chambers
is found dead at home.
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The cause of death, an
overdose of sleeping pills.
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The reclusive
beauty never married
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and was well known to be
troubled by pernicious gossip
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surrounding her personal life.
157
00:08:26,200 --> 00:08:27,439
- Oh, hi.
- Hey.
158
00:08:27,440 --> 00:08:29,599
- This is for you.
- Thank you.
159
00:08:29,600 --> 00:08:32,200
- It needs a signature just here.
- Oh, sure.
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Sorry, I shouldn't, but
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I really loved that movie you were
in about the secret CIA agent.
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- Thank you.
- He was so good.
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- Thank you.
- Are you still with that actor...
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Uh, no, we're not
together anymore.
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Oh, he was so good in that movie
about the pilot that saves the...
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- I've got to take this.
- Okay.
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Don't let the gate hit you.
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Hey.
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00:08:56,280 --> 00:08:57,999
Great news. You got it.
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Got what?
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The lead in Hotel Reverie. I
guess they're gonna flip it.
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00:09:01,640 --> 00:09:03,359
- Yes!
- Okay, so look.
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00:09:03,360 --> 00:09:06,359
It's a straight offer, so they're
sending the materials to you.
174
00:09:06,360 --> 00:09:08,639
Oh, yeah, I think
I just got those.
175
00:09:08,640 --> 00:09:11,999
They say they're gonna need
you in the studio next Monday.
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00:09:12,000 --> 00:09:15,039
- That's in England.
- Wait. They start filming next Monday?
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00:09:15,040 --> 00:09:17,279
Uh, no, they say no.
It's some kind of test.
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Who's playing Clara?
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00:09:19,200 --> 00:09:21,119
Seems confidential.
It's all laid out
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in that info pack.
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00:09:23,120 --> 00:09:24,759
Pepe from Streamberry is here.
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00:09:24,760 --> 00:09:26,039
- Thank you.
- Wait.
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Laid out where?
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00:09:26,960 --> 00:09:30,879
Yeah, oh, congratulations again.
Okay, look, I gotta go. Bye, bye, bye.
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Okay, thanks.
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Drop your weapon.
187
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Shoot him. He's
trying to kill me.
188
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Wait. I know that man.
189
00:09:45,560 --> 00:09:47,079
He diagnosed my allergy.
190
00:09:47,080 --> 00:09:48,680
Arrest the other man.
191
00:09:49,480 --> 00:09:50,560
Non!
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00:09:51,360 --> 00:09:53,080
Non! Laissez-moi.
193
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Mais laissez-moi.
194
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Stay with me.
195
00:10:02,760 --> 00:10:04,600
Promise me you'll stay.
196
00:10:06,920 --> 00:10:09,960
I'll be yours... forevermore.
197
00:10:24,240 --> 00:10:26,160
I'll be
yours forevermore.
198
00:10:30,560 --> 00:10:32,680
I'll be yours forevermore.
199
00:10:36,160 --> 00:10:37,639
What is
up with the printer?
200
00:10:39,880 --> 00:10:41,840
I just need to
get this up and running.
201
00:10:42,480 --> 00:10:43,359
There we go.
202
00:10:43,360 --> 00:10:45,639
- Powering up in a few minutes.
- Jack.
203
00:10:45,640 --> 00:10:47,639
Give me
two seconds. Um...
204
00:10:47,640 --> 00:10:49,199
- Jack.
- Yeah?
205
00:10:49,200 --> 00:10:51,599
No liquids near the tech.
Isn't that your mantra?
206
00:10:51,600 --> 00:10:52,600
Oh...
207
00:10:53,080 --> 00:10:54,120
Sorry.
208
00:10:55,400 --> 00:10:58,600
- She's late.
- Her driver said she's stuck in traffic.
209
00:10:59,240 --> 00:11:01,319
You've only got this
stage for two more hours.
210
00:11:01,320 --> 00:11:04,359
It's leased to some Swedes who are
shooting a loo roll commercial.
211
00:11:04,360 --> 00:11:06,479
You said we had three hours. No?
212
00:11:06,480 --> 00:11:08,199
I said I'd ask for three.
213
00:11:08,200 --> 00:11:09,200
Hey.
214
00:11:09,960 --> 00:11:13,200
- Hi.
- Uh... Ms. Friday.
215
00:11:14,200 --> 00:11:15,440
Judith Keyworth.
216
00:11:17,080 --> 00:11:18,519
Goodness, can I tell you
217
00:11:18,520 --> 00:11:20,879
how thrilled we are
that you're doing this?
218
00:11:20,880 --> 00:11:22,359
Oh, it's my pleasure.
219
00:11:22,360 --> 00:11:24,279
I love old movies.
220
00:11:24,280 --> 00:11:25,359
I'm sure.
221
00:11:26,520 --> 00:11:30,480
Meet the young lady who I've
entrusted with my studio's life.
222
00:11:31,320 --> 00:11:33,679
Uh, Kimmy. Project leader.
223
00:11:33,680 --> 00:11:36,600
Um, and can I just say I've been
a fan of you since Zodiac Suite?
224
00:11:37,720 --> 00:11:39,319
You saw Zodiac Suite?
225
00:11:39,320 --> 00:11:42,039
I did. Off-Broadway
when I was back in NYU.
226
00:11:42,040 --> 00:11:43,279
- Oh wow.
- And I loved...
227
00:11:45,040 --> 00:11:45,879
- Yes.
- Anyway.
228
00:11:45,880 --> 00:11:46,999
Anyway. Yes.
229
00:11:47,000 --> 00:11:49,799
We, uh... Let's... let's,
uh... Let's dive on in.
230
00:11:49,800 --> 00:11:50,799
Okay.
231
00:11:50,800 --> 00:11:53,879
So you know the
ReDream, how it works?
232
00:11:53,880 --> 00:11:54,799
Re-what?
233
00:11:54,800 --> 00:11:56,880
Uh, ReDream. The system
that we're using.
234
00:11:59,680 --> 00:12:01,359
You got the info pack, right?
235
00:12:01,360 --> 00:12:02,720
The info pack? I...
236
00:12:03,240 --> 00:12:06,279
- You got the script and the movie?
- Read the script. Watched the movie.
237
00:12:06,280 --> 00:12:10,680
There was a USB stick in there,
too, with the info pack on it.
238
00:12:12,400 --> 00:12:13,680
You... you didn't see that?
239
00:12:14,200 --> 00:12:15,200
Uh, no.
240
00:12:16,280 --> 00:12:17,559
- Uh...
- Talk me through it.
241
00:12:17,560 --> 00:12:19,400
What exactly am I looking at?
242
00:12:20,560 --> 00:12:22,400
Do... You know
your lines, right?
243
00:12:24,200 --> 00:12:25,280
Sure.
244
00:12:27,080 --> 00:12:28,080
Come with me.
245
00:12:29,200 --> 00:12:31,679
We're making the movie
right now, in real time,
246
00:12:31,680 --> 00:12:32,919
like theater.
247
00:12:32,920 --> 00:12:34,599
ReDream is the
system we're using.
248
00:12:34,600 --> 00:12:37,159
It ingests a movie and all
of its surrounding material.
249
00:12:37,160 --> 00:12:40,719
Screenplay, casting
reels, dailies, all of it.
250
00:12:40,720 --> 00:12:44,479
It creates an entirely self-sufficient
fictive dimension in which we immerse you.
251
00:12:44,480 --> 00:12:47,080
- Can you slow down a little bit, please?
- Yeah.
252
00:12:47,640 --> 00:12:49,119
I bet this is very overwhelming.
253
00:12:49,120 --> 00:12:52,160
Why don't you lie down? Lie down
and make yourself comfortable.
254
00:12:53,360 --> 00:12:57,399
So, if you hold still, I'm just
gonna attach this mesmerizer.
255
00:12:57,400 --> 00:12:58,719
"Mesmerizer"?
256
00:12:58,720 --> 00:13:01,639
Yeah, it's a nickname
for a synaptic fictive interface.
257
00:13:01,640 --> 00:13:02,599
It's... whatever.
258
00:13:02,600 --> 00:13:04,800
- I don't know what you're saying.
- Yeah.
259
00:13:05,560 --> 00:13:09,439
Um, when you're in there,
everyone and everything except you
260
00:13:09,440 --> 00:13:12,999
will be in stasis until the titles,
which should give you a minute to adjust.
261
00:13:13,000 --> 00:13:14,200
Adjust to what?
262
00:13:14,800 --> 00:13:15,959
You're a pro.
263
00:13:15,960 --> 00:13:18,159
Just say your lines,
hit the story beats.
264
00:13:18,160 --> 00:13:20,159
If we get too far off
arc, we'll pull you out.
265
00:13:20,160 --> 00:13:22,480
That won't happen,
though, you know?
266
00:13:28,240 --> 00:13:29,159
Okay.
267
00:13:29,160 --> 00:13:30,480
Executing runtime.
268
00:13:34,200 --> 00:13:37,239
And... syncing realms.
269
00:14:06,680 --> 00:14:08,040
Oh my God.
270
00:14:28,120 --> 00:14:32,679
Okay, how we doing in there?
I'll be giving you direction. Brandy?
271
00:14:32,680 --> 00:14:34,240
This is insane!
272
00:14:34,840 --> 00:14:37,399
I mean, is this the
original movie set?
273
00:14:37,400 --> 00:14:40,839
Yeah, it's a little
intense in there at first.
274
00:14:40,840 --> 00:14:41,960
Oh, you think?
275
00:14:42,760 --> 00:14:44,639
I'm in black and white! Uh...
276
00:14:44,640 --> 00:14:47,359
Look, we've got about 90 seconds
until we roll the credits.
277
00:14:47,360 --> 00:14:50,839
So... head for the table,
the one with the newspaper,
278
00:14:50,840 --> 00:14:51,839
behind the piano.
279
00:14:51,840 --> 00:14:53,880
- Like in the opening scene?
- Exactly.
280
00:14:54,720 --> 00:14:56,879
- There's, like, frozen people?
- Yeah.
281
00:14:56,880 --> 00:14:58,839
They'll unpause when
the titles start.
282
00:14:58,840 --> 00:15:02,600
And when they do, just remember
that, to them, this is real.
283
00:15:03,680 --> 00:15:07,080
They think that they're real
people living in a real world.
284
00:15:07,600 --> 00:15:12,239
- So who are they gonna think I am?
- Alex Palmer, Doctor of Tropical Medicine.
285
00:15:12,240 --> 00:15:14,999
Who's a middle-aged
British white guy?
286
00:15:15,000 --> 00:15:17,119
Right, that's not
who they'll see.
287
00:15:17,120 --> 00:15:19,559
They will see and
hear you as you are,
288
00:15:19,560 --> 00:15:22,720
and they'll just accept
that you're Alex Palmer,
289
00:15:23,360 --> 00:15:24,799
the character in the story.
290
00:15:24,800 --> 00:15:27,999
Okay, so to them,
Dr. Palmer is a Black woman
291
00:15:28,000 --> 00:15:32,039
just rolling up in 1940-whatever,
and it's just fine?
292
00:15:32,040 --> 00:15:33,199
That's fine.
293
00:15:33,200 --> 00:15:34,199
It's fine?
294
00:15:34,200 --> 00:15:35,519
Yes, that's fine.
295
00:15:35,520 --> 00:15:36,520
It's fine.
296
00:15:36,960 --> 00:15:39,280
They're AIs.
They're... they're constructs.
297
00:15:39,800 --> 00:15:42,999
They only know the parameters of
the story and the character names.
298
00:15:43,000 --> 00:15:45,879
I know it sounds crazy. It
won't even cross their minds.
299
00:15:45,880 --> 00:15:47,359
Okay.
300
00:15:47,360 --> 00:15:49,439
Just, uh,
keep the story going.
301
00:15:49,440 --> 00:15:51,799
If you say your
lines, we're all good.
302
00:15:51,800 --> 00:15:52,800
Good luck.
303
00:15:58,320 --> 00:15:59,759
Get the newspaper.
304
00:15:59,760 --> 00:16:00,800
Okay.
305
00:16:05,920 --> 00:16:06,920
Arc ready.
306
00:16:07,640 --> 00:16:08,839
Feedback ready.
307
00:16:08,840 --> 00:16:10,079
Supervision ready.
308
00:16:10,080 --> 00:16:11,399
Forecasting ready.
309
00:16:11,400 --> 00:16:13,960
- Prep titles.
- Prepped. Simulation running.
310
00:16:20,520 --> 00:16:24,160
Five, four,
three, two, one.
311
00:16:24,680 --> 00:16:25,879
And action.
312
00:16:25,880 --> 00:16:28,280
Titles rolling.
313
00:16:29,360 --> 00:16:32,160
Exterior, hotel, night.
314
00:16:34,240 --> 00:16:35,600
Clara, inbound.
315
00:16:50,600 --> 00:16:53,200
Yes, it's Dorothy
Chambers. Stop staring.
316
00:16:59,040 --> 00:17:02,399
Clara speaks
in three, two, one...
317
00:17:02,400 --> 00:17:03,640
Excuse me.
318
00:17:04,200 --> 00:17:05,999
Oui. What do you want?
319
00:17:06,000 --> 00:17:07,999
May I have a seat at your table?
320
00:17:08,000 --> 00:17:10,199
It's awfully crowded in
here. I was hoping...
321
00:17:10,200 --> 00:17:11,880
I do not understand.
322
00:17:12,480 --> 00:17:15,159
- Which seat do you wish to take?
- Keep the paper up, Brandy.
323
00:17:15,160 --> 00:17:16,679
Perhaps that one.
324
00:17:16,680 --> 00:17:19,919
That one is for
mon petit Bonbon.
325
00:17:19,920 --> 00:17:21,039
Oh.
326
00:17:21,040 --> 00:17:25,480
Bonbon does not sit on the
ground. Do you, Bonbon?
327
00:17:26,080 --> 00:17:27,399
Okay, Brandy. You're up.
328
00:17:27,400 --> 00:17:29,080
Live dialogue
in three, two...
329
00:17:31,280 --> 00:17:32,280
Ma'am?
330
00:17:33,480 --> 00:17:34,520
I have a spare seat.
331
00:17:35,120 --> 00:17:36,959
And I can assure you, no Bonbon.
332
00:17:36,960 --> 00:17:38,239
I couldn't impose.
333
00:17:38,240 --> 00:17:39,479
I could use the company.
334
00:17:39,480 --> 00:17:42,960
It's a very different
flavor than dear old Ralphy.
335
00:17:44,320 --> 00:17:46,840
- Alex Palmer.
- Oh. Clara Ryce-Lechere.
336
00:17:48,160 --> 00:17:50,760
Ryce-Lechere? That's
half the alphabet.
337
00:17:51,960 --> 00:17:53,080
All in sync.
338
00:17:53,960 --> 00:17:55,279
She's word-perfect.
339
00:17:55,280 --> 00:17:57,839
Lechere comes courtesy of
my husband, who's French.
340
00:17:57,840 --> 00:17:58,879
Story on track.
341
00:17:58,880 --> 00:18:00,079
Pierre Lechere?
342
00:18:00,080 --> 00:18:02,279
Claude. Sorry
to disappoint you.
343
00:18:02,280 --> 00:18:03,959
Will Claude be joining us?
344
00:18:03,960 --> 00:18:06,839
No, no. Claude has
work commitments.
345
00:18:06,840 --> 00:18:08,719
He holds an important
role in the business.
346
00:18:08,720 --> 00:18:12,079
- The business?
- Oh, my father's business, Ryce Holdings.
347
00:18:12,080 --> 00:18:16,319
Oh my. I didn't realize
you were the Clara Ryce.
348
00:18:16,320 --> 00:18:19,519
Oh yes, the Clara Ryce,
heir to the Ryce empire.
349
00:18:19,520 --> 00:18:22,040
- Exposition delivered.
- What brings you to Cairo?
350
00:18:22,560 --> 00:18:25,079
I'm giving a talk at
the School of Medicine.
351
00:18:25,080 --> 00:18:27,440
- You're a surgeon?
- Just a doctor.
352
00:18:27,960 --> 00:18:30,759
Albeit one who knows an absurd
amount about tropical diseases.
353
00:18:30,760 --> 00:18:33,879
Backstory deployed.
Hitting all her beats.
354
00:18:33,880 --> 00:18:35,959
Dreadful, yes. Accomplished,
I'm not so sure.
355
00:18:35,960 --> 00:18:39,559
Oh, waiter. Another scotch,
please. And for yourself?
356
00:18:39,560 --> 00:18:41,519
Thank you. A Black Rose.
357
00:18:41,520 --> 00:18:43,719
Ah. A rose for a rose.
358
00:18:45,480 --> 00:18:47,799
- Attraction building.
- It's a tradition for me.
359
00:18:47,800 --> 00:18:50,399
One scotch and one Black Rose.
360
00:18:50,400 --> 00:18:51,639
For the heiress?
361
00:18:51,640 --> 00:18:53,799
- Murder attempt number one imminent.
- Yes.
362
00:18:58,040 --> 00:19:01,479
Black Rose created. I repeat,
Black Rose has been created.
363
00:19:01,480 --> 00:19:03,039
- Oh dear.
- What's wrong?
364
00:19:03,040 --> 00:19:05,320
Oh, nothing really.
Just the piano.
365
00:19:06,240 --> 00:19:09,840
A piano standing silent always
makes me melancholy. Silly, I know.
366
00:19:11,840 --> 00:19:15,279
Say a pianist walked in right
now. What would you have him play?
367
00:19:15,280 --> 00:19:16,679
"Clair de Lune."
368
00:19:16,680 --> 00:19:18,919
Oh, that's easy.
"Clair de Lune."
369
00:19:18,920 --> 00:19:20,839
- My dad's favorite.
- Debussy?
370
00:19:20,840 --> 00:19:23,399
Do you know it? Oh,
it's the most wonderful piece.
371
00:19:23,400 --> 00:19:26,239
It transports me to
the gayest of places.
372
00:19:26,240 --> 00:19:29,520
And at the same time, it's
so sad, so full of yearning.
373
00:19:30,920 --> 00:19:33,320
Well, Clara, if it's
"Clair de Lune" you want,
374
00:19:33,840 --> 00:19:35,760
it's "Clair de Lune"
you shall have.
375
00:19:53,280 --> 00:19:54,520
What... What's she doing?
376
00:19:55,720 --> 00:19:57,079
- Uh...
- Brandy?
377
00:19:57,080 --> 00:19:58,079
What the hell?
378
00:19:58,080 --> 00:20:00,399
You didn't say it
was a real piano.
379
00:20:00,400 --> 00:20:02,319
I thought you could
play the real piano.
380
00:20:02,320 --> 00:20:03,239
No!
381
00:20:03,240 --> 00:20:06,839
- But you played the piano in Zodiac Suite.
- That was a backing track.
382
00:20:07,920 --> 00:20:09,279
She can't stop.
383
00:20:09,280 --> 00:20:11,759
The piano playing sets
up the inciting incident.
384
00:20:11,760 --> 00:20:15,239
Uh, Brandy, you gotta keep playing.
That's the point of the scene.
385
00:20:15,240 --> 00:20:17,599
My God, she's doing "Chopsticks."
386
00:20:17,600 --> 00:20:19,599
Narrative
integrity failing.
387
00:20:19,600 --> 00:20:21,399
We're heading for yellow here.
388
00:20:21,400 --> 00:20:23,359
I take it that
means something bad.
389
00:20:23,360 --> 00:20:25,639
If that one
hits red, it collapses.
390
00:20:25,640 --> 00:20:26,639
Oh, great.
391
00:20:26,640 --> 00:20:29,239
Mika, how
far off base are we?
392
00:20:29,240 --> 00:20:30,519
So, in the original,
393
00:20:30,520 --> 00:20:33,599
the beautiful music makes
Clara choke up with emotion.
394
00:20:33,600 --> 00:20:36,119
She steps outside. Alex
follows. They talk.
395
00:20:36,120 --> 00:20:38,440
It's the encounter that
sets the story rolling.
396
00:20:39,360 --> 00:20:41,679
Can we hit that plot
point some other way?
397
00:20:41,680 --> 00:20:44,119
Maybe, but we've got
an even bigger problem.
398
00:20:44,120 --> 00:20:45,319
Bigger than that?
399
00:20:45,320 --> 00:20:47,440
The poisoned cocktail.
The Black Rose.
400
00:20:48,040 --> 00:20:49,480
Shit.
401
00:20:50,240 --> 00:20:53,399
Clara's supposed to have left before
it makes it to the table, but now...
402
00:20:53,400 --> 00:20:54,760
She's just sitting there.
403
00:20:55,280 --> 00:20:56,720
And if she drinks it, she dies.
404
00:20:57,400 --> 00:20:59,079
- Correct.
- And the whole thing's bollocksed.
405
00:20:59,080 --> 00:21:00,759
Narrative
stress is rising, guys.
406
00:21:00,760 --> 00:21:05,799
Brandy, don't speak. I need you to follow
some instructions to get us back on track.
407
00:21:05,800 --> 00:21:07,239
Stop playing the piano.
408
00:21:07,240 --> 00:21:09,679
Go sit next to
Clara. Now. Go. Now.
409
00:21:15,000 --> 00:21:17,480
Apologize for your poor piano.
410
00:21:18,200 --> 00:21:20,199
I'm afraid I'm a little
out of practice.
411
00:21:20,200 --> 00:21:21,880
It certainly sounded that way.
412
00:21:22,600 --> 00:21:25,840
On the bright side, you seem to have
given Madam "Doglover" a headache.
413
00:21:26,360 --> 00:21:27,720
What a shame.
414
00:21:29,200 --> 00:21:30,480
One scotch.
415
00:21:33,360 --> 00:21:34,279
And a Black Rose.
416
00:21:34,280 --> 00:21:36,239
Just in time. I
could use a tipple.
417
00:21:36,240 --> 00:21:38,239
Do not let her
drink that. Improvise!
418
00:21:38,240 --> 00:21:40,159
- Oh my God. Look.
- What?
419
00:21:40,160 --> 00:21:42,159
- Uh, the big... goose.
- No.
420
00:21:42,160 --> 00:21:44,119
Get rid of the drink.
421
00:21:44,120 --> 00:21:47,279
- But I don't see anything.
- Right there. See? Look.
422
00:21:47,280 --> 00:21:49,159
- Was there really a goose?
- Yes.
423
00:21:49,160 --> 00:21:50,639
No. There wasn't.
424
00:21:50,640 --> 00:21:51,879
No, there wasn't.
425
00:21:51,880 --> 00:21:54,360
- Mm-mm. I was kidding.
- I see.
426
00:21:56,640 --> 00:21:58,239
Another joke, I presume.
427
00:21:58,240 --> 00:21:59,680
Gotcha.
428
00:22:00,760 --> 00:22:02,639
I don't appreciate
mockery, Dr. Palmer.
429
00:22:02,640 --> 00:22:05,439
I had quite enough of
that in my school days.
430
00:22:05,440 --> 00:22:07,960
- Good luck with your talk.
- Attraction falling, guys.
431
00:22:09,200 --> 00:22:10,280
Don't let her go.
432
00:22:11,600 --> 00:22:12,600
Follow her.
433
00:22:14,000 --> 00:22:15,000
Uh, wait!
434
00:22:15,600 --> 00:22:16,640
Uh, come back!
435
00:22:17,680 --> 00:22:19,040
Wait! I... I'm s...
436
00:22:20,080 --> 00:22:21,360
Dorothy!
437
00:22:24,000 --> 00:22:26,399
Clara! Her name is Clara.
438
00:22:26,400 --> 00:22:27,719
Divergence rising.
439
00:22:27,720 --> 00:22:29,200
Uh, Clara.
440
00:22:40,000 --> 00:22:41,639
Why did you call me Dorothy?
441
00:22:41,640 --> 00:22:43,000
Oh dear.
442
00:22:43,760 --> 00:22:46,679
Uh, you remind me of someone.
443
00:22:46,680 --> 00:22:48,840
Someone named Dorothy?
444
00:22:50,120 --> 00:22:51,240
Yeah.
445
00:22:52,280 --> 00:22:53,920
Why do I remind you of her?
446
00:22:54,640 --> 00:22:56,960
- They're way off script here.
- Sh, sh!
447
00:22:58,520 --> 00:22:59,600
She was
448
00:23:01,120 --> 00:23:04,440
someone who the
world looked at and
449
00:23:05,840 --> 00:23:08,280
assumed had everything, but
450
00:23:09,960 --> 00:23:12,120
on the inside, she was...
451
00:23:13,520 --> 00:23:14,520
Blue.
452
00:23:16,880 --> 00:23:17,880
I don't know.
453
00:23:18,960 --> 00:23:20,360
But I think so.
454
00:23:23,200 --> 00:23:25,720
Then it's no surprise
I remind you of her.
455
00:23:29,000 --> 00:23:30,680
Follow her
into the garden.
456
00:23:32,120 --> 00:23:33,199
Sit beside her.
457
00:23:33,200 --> 00:23:34,280
I was going to.
458
00:23:34,800 --> 00:23:35,800
Going to what?
459
00:23:36,760 --> 00:23:40,079
Oh, I was going to... to ask
if you wanna talk about it?
460
00:23:40,080 --> 00:23:41,480
Oh, no.
461
00:23:42,520 --> 00:23:45,319
One should never unburden
oneself to a stranger.
462
00:23:45,320 --> 00:23:46,639
Oh, it's no burden.
463
00:23:46,640 --> 00:23:48,359
Trust me, I'm a doctor.
464
00:23:48,360 --> 00:23:51,239
And I've given up on my
dreams of piano playing.
465
00:23:51,240 --> 00:23:53,199
Well, I
think that's wise.
466
00:23:55,720 --> 00:23:58,400
I would talk to my
husband about it, but honestly,
467
00:23:58,920 --> 00:24:01,880
Claude stopped noticing my
temperament some time ago.
468
00:24:03,080 --> 00:24:05,080
He's so consumed
by the business.
469
00:24:05,600 --> 00:24:09,159
Papa used to joke that Claude
was marrying the company
470
00:24:09,160 --> 00:24:10,680
rather than marrying me.
471
00:24:11,200 --> 00:24:13,400
If that's true,
then Claude's crazy.
472
00:24:16,240 --> 00:24:17,360
You're sweet.
473
00:24:22,200 --> 00:24:24,000
Romantic interest rising.
474
00:24:26,080 --> 00:24:28,200
This
Dorothy you mention,
475
00:24:28,960 --> 00:24:31,160
what's true of her
is also true of me.
476
00:24:32,720 --> 00:24:37,360
You know, it's silly, but sometimes a
sense of such wretchedness seizes me
477
00:24:38,360 --> 00:24:41,600
as though I'm connected to some
fathomless sorrow reaching through time.
478
00:24:44,000 --> 00:24:46,319
Perhaps I was a tragic
figure in some other life.
479
00:24:46,320 --> 00:24:48,920
I thought you said they
weren't self-aware.
480
00:24:49,440 --> 00:24:50,560
They're not.
481
00:24:51,160 --> 00:24:54,239
The... the only reality she's
aware of is... is the story.
482
00:24:54,240 --> 00:24:56,480
Actually, I think she might
be sensing some echoes.
483
00:24:58,360 --> 00:25:00,079
Well, our Clara AI
484
00:25:00,080 --> 00:25:03,480
is derived from the original
performance by Dorothy Chambers. Uh...
485
00:25:04,240 --> 00:25:06,879
And Chambers drew
on her own life.
486
00:25:06,880 --> 00:25:10,279
She sunk as much of herself as
possible into the role of Clara.
487
00:25:10,280 --> 00:25:12,599
There's echoes of her running
right through the data set.
488
00:25:12,600 --> 00:25:16,000
But when she heard her name,
connected with that essence,
489
00:25:17,480 --> 00:25:18,960
she's grown a dimension.
490
00:25:19,640 --> 00:25:22,679
And... and it's not really
built to accommodate that.
491
00:25:22,680 --> 00:25:25,239
Scene ending in T-minus
30 seconds, guys.
492
00:25:25,240 --> 00:25:27,280
This Dorothy,
what happened to her?
493
00:25:29,440 --> 00:25:31,800
- We lost touch.
- Oh.
494
00:25:33,480 --> 00:25:35,440
I hope she's happy somewhere.
495
00:25:36,440 --> 00:25:37,440
Me too.
496
00:25:39,360 --> 00:25:41,120
Look at me complaining
about my life.
497
00:25:41,640 --> 00:25:43,199
You must think me so ungrateful.
498
00:25:43,200 --> 00:25:45,160
Oh, no. I've been there.
499
00:25:46,360 --> 00:25:48,560
- "Been there"?
- I mean, I get it.
500
00:25:49,440 --> 00:25:50,559
Oh, you... you "get it."
501
00:25:50,560 --> 00:25:52,280
Yeah. You know, life shit.
502
00:25:52,880 --> 00:25:56,199
- No one says "shit" in the movie.
- Oh my God. I mean, um...
503
00:25:56,200 --> 00:25:57,639
"Life shit"?
504
00:25:57,640 --> 00:25:58,999
She's saying it now.
505
00:25:59,000 --> 00:26:01,479
I... misspoke.
506
00:26:01,480 --> 00:26:03,920
No, I'm not...
I'm not offended.
507
00:26:04,600 --> 00:26:06,400
If anything, it's refreshing.
508
00:26:07,680 --> 00:26:09,360
I've never met someone so
509
00:26:10,480 --> 00:26:11,560
differently alive.
510
00:26:14,120 --> 00:26:16,080
Romantic likelihood increasing.
511
00:26:19,120 --> 00:26:20,720
Good night, Dr. Palmer.
512
00:26:22,400 --> 00:26:23,400
Good night.
513
00:26:33,160 --> 00:26:35,160
Forecast good.
We're back on track.
514
00:26:35,880 --> 00:26:37,439
Narrative
stress falling.
515
00:26:37,440 --> 00:26:39,119
Interior. Lobby.
516
00:26:39,120 --> 00:26:40,240
Continuous.
517
00:26:40,960 --> 00:26:42,480
Gorgeous Claude.
518
00:26:45,680 --> 00:26:46,680
Darling.
519
00:26:47,680 --> 00:26:48,960
Claude.
520
00:26:49,560 --> 00:26:51,079
This is the scene with Claude.
521
00:26:51,080 --> 00:26:54,079
Brandy's not on screen for two
minutes, so you're free to talk.
522
00:26:54,080 --> 00:26:56,040
Me too.
I'm somewhat tired.
523
00:26:56,920 --> 00:26:59,159
Uh, think we're good.
Brandy, thank you.
524
00:26:59,160 --> 00:27:01,999
Um, the camera's not
on you right now,
525
00:27:02,000 --> 00:27:03,359
so catch your breath.
526
00:27:03,360 --> 00:27:05,239
Hey, you
guys saw that, right?
527
00:27:05,240 --> 00:27:07,239
I mean, that was insane.
528
00:27:07,240 --> 00:27:09,959
Are you sure she's a...
computer person or whatever?
529
00:27:09,960 --> 00:27:11,959
Because she... she touched me.
530
00:27:11,960 --> 00:27:14,079
- It was weird. I don't...
- Uh, mm-hmm.
531
00:27:14,080 --> 00:27:17,679
I've just seen my wife,
who is most terribly alive.
532
00:27:17,680 --> 00:27:19,919
You were supposed to serve
that special Black Rose.
533
00:27:19,920 --> 00:27:20,959
Oh no.
534
00:27:20,960 --> 00:27:23,399
I did, boss,
but she never drank it.
535
00:27:23,400 --> 00:27:24,639
Never drank it?
536
00:27:24,640 --> 00:27:27,080
Guys? Oi!
537
00:27:28,040 --> 00:27:28,999
What is it?
538
00:27:29,000 --> 00:27:31,000
Bonbon's
drinking the cocktail.
539
00:27:31,520 --> 00:27:32,520
Oh.
540
00:27:33,240 --> 00:27:34,359
Shit!
541
00:27:34,360 --> 00:27:35,879
Just a moment, Brandy.
542
00:27:35,880 --> 00:27:36,880
Non!
543
00:27:38,040 --> 00:27:38,959
Bonbon!
544
00:27:38,960 --> 00:27:40,800
Il est mort!
545
00:27:41,400 --> 00:27:42,759
Dead dog confirmed.
546
00:27:42,760 --> 00:27:45,440
I repeat, dead dog confirmed.
547
00:27:47,400 --> 00:27:49,079
We have a plot hole forming.
548
00:27:49,080 --> 00:27:50,319
Can... can we plug it?
549
00:27:50,320 --> 00:27:54,639
Okay, so Madam Roban was supposed to
steal the cocktail and drink the poison...
550
00:27:55,800 --> 00:27:57,279
This poor lady is dead.
551
00:27:57,280 --> 00:27:59,759
...which means Inspector
Lavigne gets called to the hotel
552
00:27:59,760 --> 00:28:02,079
and asks Alex to sign
the death certificate.
553
00:28:03,000 --> 00:28:04,959
And Alex sees Inspector
Lavigne sneezing
554
00:28:04,960 --> 00:28:07,719
and diagnoses him with
allergies to his own cologne.
555
00:28:07,720 --> 00:28:10,999
Which sets up the beat for the
final scene when the police burst in.
556
00:28:11,000 --> 00:28:14,039
Lavigne recognizes Alex and
tells his men not to shoot.
557
00:28:14,040 --> 00:28:15,439
He diagnosed my allergy.
558
00:28:15,440 --> 00:28:18,839
- But then they won't have met before.
- So the police will just shoot her.
559
00:28:18,840 --> 00:28:19,919
That's horrid.
560
00:28:19,920 --> 00:28:21,320
Yeah, I've got it here.
561
00:28:25,280 --> 00:28:27,480
Uh, so that's gonna
tank the whole thing.
562
00:28:30,160 --> 00:28:31,559
So it's over, isn't it?
563
00:28:31,560 --> 00:28:34,159
No. We... we can reset.
We can try it again.
564
00:28:34,160 --> 00:28:35,319
From scratch?
565
00:28:35,320 --> 00:28:36,479
No, we can't.
566
00:28:36,480 --> 00:28:37,879
There isn't any time.
567
00:28:37,880 --> 00:28:42,279
They've got to get in and start
building some gargantuan toilet by noon.
568
00:28:42,280 --> 00:28:43,280
I'm sorry.
569
00:28:44,320 --> 00:28:45,920
Jack, pull her out.
570
00:28:48,600 --> 00:28:51,639
Okay, everybody. That's
a wrap, I'm afraid.
571
00:28:51,640 --> 00:28:54,840
- Um, it's still going.
- Jack, just pull her out, please.
572
00:28:55,440 --> 00:28:59,000
Uh, yeah, we may have an
operational issue in that regard.
573
00:29:00,840 --> 00:29:01,879
What?
574
00:29:01,880 --> 00:29:04,399
Uh, well, the expansion
of Clara's character
575
00:29:04,400 --> 00:29:08,959
seems to have triggered a stack overflow,
causing the exit code to, um, misbehave.
576
00:29:08,960 --> 00:29:10,919
"Misbehave"? As in, how?
577
00:29:10,920 --> 00:29:13,119
The extraction routine is
non-responsive at this time.
578
00:29:13,120 --> 00:29:14,799
- What?!
- So you can't pull her out?
579
00:29:14,800 --> 00:29:17,919
Not until she gets to the end
credits. If she gets to the credits.
580
00:29:17,920 --> 00:29:21,319
Well, the story's broken anyway. Why
don't you just turn the machine off?
581
00:29:21,320 --> 00:29:23,319
No! No, no. Interrupting
the simulation
582
00:29:23,320 --> 00:29:25,119
while her consciousness
is marooned in there
583
00:29:25,120 --> 00:29:29,079
could cause a catastrophic
synaptic failure in the subject.
584
00:29:29,080 --> 00:29:31,959
He's saying Brandy's consciousness
would be deleted, and she'd die.
585
00:29:31,960 --> 00:29:32,999
What?
586
00:29:33,000 --> 00:29:35,359
Uh, real Brandy
Friday would die?
587
00:29:35,360 --> 00:29:38,720
Well, I mean, there's a 98%
chance of fatality, yes.
588
00:29:40,120 --> 00:29:41,280
Oh, marvelous.
589
00:29:41,800 --> 00:29:44,759
Keyworth Pictures
reinventing vintage movies,
590
00:29:44,760 --> 00:29:46,479
attracting Hollywood stars,
591
00:29:46,480 --> 00:29:47,999
and killing them.
592
00:29:48,000 --> 00:29:50,599
Hey, she's back on-screen
in T-minus 90 seconds.
593
00:29:50,600 --> 00:29:51,879
Maybe we should get her...
594
00:29:51,880 --> 00:29:55,039
What about the Lavigne plot hole?
They'll shoot Alex in the final scene.
595
00:29:55,040 --> 00:29:56,159
Oh Jesus.
596
00:29:56,160 --> 00:29:58,839
That's the end. We have
90 minutes to fix this.
597
00:29:58,840 --> 00:30:02,520
- Crystal, can we find a workaround?
- Yeah, maybe. Will I get a story credit?
598
00:30:04,720 --> 00:30:07,800
No. We'll discuss that later.
That's fine. Uh, I'll get to work.
599
00:30:08,880 --> 00:30:10,559
Brandy, we need to
talk for a moment.
600
00:30:10,560 --> 00:30:13,719
Yeah, we do. I know I went
off script, but so did she.
601
00:30:13,720 --> 00:30:15,599
I know I wasn't
supposed to say shit.
602
00:30:15,600 --> 00:30:17,239
- But she kind of laughed.
- Brandy.
603
00:30:17,240 --> 00:30:18,959
I just... I wasn't expecting it.
604
00:30:18,960 --> 00:30:21,919
I wasn't expecting her
to feel so... so real.
605
00:30:21,920 --> 00:30:23,199
- I feel like...
- Brandy.
606
00:30:23,200 --> 00:30:25,640
- We're gonna move on to the next scene.
- Right. Uh...
607
00:30:26,560 --> 00:30:29,439
The next scene is, uh,
Lavigne, the cop guy.
608
00:30:29,440 --> 00:30:32,559
- Whoa, whoa, whoa.
- To sign the lady's death certificate.
609
00:30:32,560 --> 00:30:34,959
But he's sneezing. And
then I'm supposed to...
610
00:30:34,960 --> 00:30:36,240
There's been a change of plan.
611
00:30:36,840 --> 00:30:37,799
Change of plan, how?
612
00:30:37,800 --> 00:30:38,800
Um...
613
00:30:39,760 --> 00:30:42,879
Madam Roban did not drink
the cocktail. Her dog did.
614
00:30:42,880 --> 00:30:44,600
Oh, the dog died.
615
00:30:45,400 --> 00:30:48,399
- Wait, the old French lady's still alive?
- Yes.
616
00:30:48,400 --> 00:30:52,119
- Wait. So the cop guy scene can't happen?
- We're working on it.
617
00:30:52,120 --> 00:30:56,199
No, we gotta reset. We gotta start
over. We gotta get the story right.
618
00:30:56,200 --> 00:30:59,600
So the thing about that
is, um... we can't.
619
00:31:00,200 --> 00:31:01,279
Can't, how?
620
00:31:01,280 --> 00:31:05,519
We're experiencing a slight
technical difficulty,
621
00:31:05,520 --> 00:31:10,319
um, which means that we can't extract
you until the narrative arc is complete,
622
00:31:10,320 --> 00:31:11,519
as in, the credits roll.
623
00:31:11,520 --> 00:31:14,439
- I'm stuck here?
- Until you bring the story to a close.
624
00:31:14,440 --> 00:31:16,439
So I have to make it to
the end of the movie?
625
00:31:16,440 --> 00:31:20,119
Yes. You say to Clara your
final line, "Yours forevermore,"
626
00:31:20,120 --> 00:31:21,879
credits roll, we
pull you on out.
627
00:31:21,880 --> 00:31:25,839
- What if I can't make it that far?
- Let's focus on where we are.
628
00:31:25,840 --> 00:31:27,679
Uh, it's day two.
Clock's a-tickin'.
629
00:31:27,680 --> 00:31:29,039
Day two? What does that...
630
00:31:29,040 --> 00:31:30,319
Clara goes sightseeing.
631
00:31:30,320 --> 00:31:31,719
You ask to accompany her.
632
00:31:31,720 --> 00:31:33,639
Okay, yeah. That's...
633
00:31:33,640 --> 00:31:36,279
Scene change in ten...
634
00:31:36,280 --> 00:31:37,959
New story day inbound.
635
00:31:37,960 --> 00:31:40,799
Brandy, you're gonna feel
a time jump at any moment.
636
00:31:40,800 --> 00:31:43,399
- Feel, how?
- It might be a bit of a rug pull.
637
00:31:43,400 --> 00:31:47,119
Time and space change instantly with
the edit. Being, like, teleported.
638
00:31:47,120 --> 00:31:49,519
- What do you mean "teleported"?
- New story day.
639
00:31:49,520 --> 00:31:51,599
Interior. Hotel lobby. Morning.
640
00:31:51,600 --> 00:31:54,439
The scene is on.
It's fully populated.
641
00:31:54,440 --> 00:31:57,360
A lot of eyes on you. Blink
twice if you understand.
642
00:31:59,000 --> 00:32:00,080
Clara's en route.
643
00:32:02,840 --> 00:32:04,960
Bump into her. Make
it look natural.
644
00:32:07,560 --> 00:32:08,840
- Oh! Sorry!
- Oh!
645
00:32:09,400 --> 00:32:11,159
- Hey, Clara!
- Dr. Palmer.
646
00:32:11,160 --> 00:32:13,279
I'm in the habit of
apologizing to you.
647
00:32:13,280 --> 00:32:15,360
Oh, it's quite all
right. No harm done.
648
00:32:16,160 --> 00:32:17,359
You heading out?
649
00:32:17,360 --> 00:32:20,159
Well, I was planning on
doing some sightseeing,
650
00:32:20,160 --> 00:32:22,359
but Claude's been
called away on business,
651
00:32:22,360 --> 00:32:25,319
so it seems it's going to
be rather a solitary affair.
652
00:32:25,320 --> 00:32:27,119
- Invite yourself along.
- Unless you...
653
00:32:27,120 --> 00:32:31,320
I don't suppose... you would want to
accompany me, would you, Dr. Palmer?
654
00:32:33,040 --> 00:32:35,399
- Palmer's supposed to ask her that.
- Shit.
655
00:32:35,400 --> 00:32:37,680
I'm sorry. It's
rather forward of me.
656
00:32:38,200 --> 00:32:39,399
She's gaining agency.
657
00:32:39,400 --> 00:32:41,600
What's wrong with that?
Actors love agency.
658
00:32:43,480 --> 00:32:45,839
Yeah. I think it
adds something to it.
659
00:32:45,840 --> 00:32:48,239
- So why did you say "shit"?
- I said, "Shit, yeah."
660
00:32:48,240 --> 00:32:50,760
No, I'm just happy you asked.
661
00:32:52,040 --> 00:32:53,879
So what sights are we seeing?
662
00:32:53,880 --> 00:32:55,800
All that Cairo has to offer.
663
00:32:56,960 --> 00:32:59,439
Um, you're gonna
experience some dissolves.
664
00:32:59,440 --> 00:33:02,919
Uh, there's a montage coming up. It
might make you a little nauseous.
665
00:33:05,560 --> 00:33:08,760
- So looking forward to seeing Cairo.
- I can't wait.
666
00:33:12,320 --> 00:33:13,519
Hang on in there.
667
00:33:13,520 --> 00:33:16,679
No, because then there's no
time for the... the scene
668
00:33:16,680 --> 00:33:20,279
when, uh, Alex overhears
Claude talking to Otto.
669
00:33:20,280 --> 00:33:21,280
Fuck!
670
00:33:21,920 --> 00:33:23,520
I could do this for hours.
671
00:33:32,920 --> 00:33:34,959
I had the
most magical day.
672
00:33:34,960 --> 00:33:37,159
Yeah, that was a trip.
673
00:33:37,160 --> 00:33:39,200
You do say the funniest things.
674
00:33:39,800 --> 00:33:41,839
I couldn't have asked for
a more agreeable companion.
675
00:33:41,840 --> 00:33:44,159
- Me either.
- You mean "neither."
676
00:33:44,160 --> 00:33:45,679
But I said "either."
677
00:33:45,680 --> 00:33:47,240
Don't debate grammar.
678
00:33:47,760 --> 00:33:49,919
Thanks for asking me along.
679
00:33:49,920 --> 00:33:51,480
There's no need to thank me.
680
00:33:52,200 --> 00:33:53,480
At all.
681
00:33:56,280 --> 00:33:58,120
Here's where
she twists her ankle.
682
00:33:59,400 --> 00:34:00,600
Oh God!
683
00:34:01,840 --> 00:34:03,439
- Oh God.
- God. Are you okay?
684
00:34:03,440 --> 00:34:05,079
Damn my damned heels.
685
00:34:05,080 --> 00:34:06,199
Help her to her room.
686
00:34:06,200 --> 00:34:07,279
I know!
687
00:34:07,280 --> 00:34:10,919
I know you'll need help
getting to your room.
688
00:34:10,920 --> 00:34:11,920
- Oh.
- Here.
689
00:34:12,560 --> 00:34:13,839
Seduction scene next.
690
00:34:13,840 --> 00:34:16,360
Oh, not at all.
691
00:34:18,640 --> 00:34:21,759
Okay, so here's where, uh,
you ask to check her leg,
692
00:34:21,760 --> 00:34:24,400
and things get a
little... heated.
693
00:34:25,600 --> 00:34:27,680
That was quite
the fall you took.
694
00:34:29,120 --> 00:34:30,880
Maybe I should check
if it's swollen?
695
00:34:31,760 --> 00:34:34,560
Um, well, go gently on me.
696
00:34:35,280 --> 00:34:36,920
I'll do my best.
697
00:34:59,760 --> 00:35:01,600
How does this feel?
698
00:35:02,280 --> 00:35:04,160
Oh, that
doesn't feel bad at all.
699
00:35:05,120 --> 00:35:06,760
That's a good sign.
700
00:35:07,560 --> 00:35:09,880
Will I still be able
to join the Bolshoi?
701
00:35:13,280 --> 00:35:14,519
I think so.
702
00:35:14,520 --> 00:35:17,560
Perhaps to make certain, you
might try a little bit higher.
703
00:35:23,160 --> 00:35:24,880
Like... here?
704
00:35:26,760 --> 00:35:27,800
That's good.
705
00:35:30,800 --> 00:35:32,440
How about here?
706
00:35:34,720 --> 00:35:35,720
Is that
707
00:35:36,680 --> 00:35:37,680
tender?
708
00:35:38,400 --> 00:35:39,400
Ever so tender.
709
00:35:39,840 --> 00:35:42,520
A tad fruitier
than the original.
710
00:35:46,360 --> 00:35:48,919
Uh, that'll be the ice I
ordered for the swelling.
711
00:35:48,920 --> 00:35:49,920
Mm.
712
00:35:53,440 --> 00:35:55,280
Second murder attempt imminent.
713
00:35:56,920 --> 00:35:58,960
I swear I just ordered the ice.
714
00:36:00,760 --> 00:36:03,200
Well, it would be a
shame to waste it.
715
00:36:03,880 --> 00:36:04,719
Are you sure?
716
00:36:04,720 --> 00:36:08,399
Champagne in my room with a stranger.
I'd never survive the scandal.
717
00:36:09,720 --> 00:36:12,320
Gosh, how
I yearn to be free.
718
00:36:14,200 --> 00:36:15,959
This is your
scorpion moment.
719
00:36:15,960 --> 00:36:17,759
Don't move.
720
00:36:17,760 --> 00:36:18,679
Hmm?
721
00:36:21,120 --> 00:36:23,040
Oh my
goodness!
722
00:36:24,600 --> 00:36:27,960
Oh, I daren't even think what might
have happened if you hadn't been here.
723
00:36:29,120 --> 00:36:30,120
Oh, Alex.
724
00:36:43,360 --> 00:36:45,680
Romance levels peaking.
725
00:36:46,600 --> 00:36:49,080
Uh, yeah, that...
that is peaking.
726
00:36:58,480 --> 00:37:01,120
She wasn't like
this with Ralphy.
727
00:37:01,880 --> 00:37:03,400
No.
728
00:37:04,640 --> 00:37:05,680
Oh shit!
729
00:37:08,160 --> 00:37:09,919
- Data feed down.
- We've lost picture.
730
00:37:09,920 --> 00:37:11,999
- Time code borked.
- Live feed down.
731
00:37:12,000 --> 00:37:13,119
No! Fuck!
732
00:37:13,120 --> 00:37:15,879
- I'm sorry.
- The coffee, Jack. The fucking...
733
00:37:20,560 --> 00:37:22,280
My heart is pounding
like a drum.
734
00:37:23,680 --> 00:37:26,560
I feel as if the whole world
has somehow stopped turning.
735
00:37:27,680 --> 00:37:28,840
So do I.
736
00:37:30,920 --> 00:37:31,960
What is it?
737
00:37:32,720 --> 00:37:33,720
Do you hear that?
738
00:37:35,880 --> 00:37:37,200
It's silent.
739
00:37:38,520 --> 00:37:39,520
So it is.
740
00:37:40,440 --> 00:37:44,000
- I'm sorry! I spilled my coffee.
- Brandy! Brandy, can you hear me?
741
00:37:45,000 --> 00:37:46,000
Brandy!
742
00:37:46,480 --> 00:37:47,719
God damn it!
743
00:37:49,680 --> 00:37:51,600
- Oh.
- Who is that?
744
00:37:55,560 --> 00:37:56,560
It's Otto.
745
00:37:57,600 --> 00:38:00,360
Your husband's henchman
kind of guy. Oh, wait.
746
00:38:00,880 --> 00:38:03,919
You're not supposed to know
that. Forget I said that.
747
00:38:03,920 --> 00:38:05,800
Claude doesn't have henchmen.
748
00:38:09,360 --> 00:38:11,159
Why isn't he moving?
749
00:38:11,160 --> 00:38:12,680
They must be resetting.
750
00:38:13,720 --> 00:38:14,559
"They"?
751
00:38:14,560 --> 00:38:16,679
- No, no. I...
- Can you fix this?
752
00:38:16,680 --> 00:38:19,319
- Can I have... Towel!
- I told you about the coffee, dude.
753
00:38:19,320 --> 00:38:21,200
I don't understand.
754
00:38:23,040 --> 00:38:24,080
Kimmy?
755
00:38:25,040 --> 00:38:26,880
- Alex?
- Kimmy?
756
00:38:28,560 --> 00:38:29,600
Alex, I...
757
00:38:32,960 --> 00:38:34,120
Wait.
758
00:38:44,480 --> 00:38:46,520
- What's going on?
- We've lost connection.
759
00:38:47,080 --> 00:38:50,600
- But it's still running.
- Sure, but she is stuck in the simulation.
760
00:38:51,400 --> 00:38:54,119
So she could die? Be honest.
761
00:38:54,120 --> 00:38:55,120
- No.
- Maybe.
762
00:38:57,120 --> 00:38:58,879
If you had to put
a percentage on it?
763
00:38:58,880 --> 00:39:01,239
Fifty-fifty?
764
00:39:01,240 --> 00:39:02,600
She said be honest!
765
00:39:07,800 --> 00:39:08,800
Hello?
766
00:39:09,720 --> 00:39:10,720
Guys?
767
00:39:12,680 --> 00:39:13,639
Hello?
768
00:39:13,640 --> 00:39:15,240
Kimmy, can you hear me?
769
00:39:21,000 --> 00:39:22,000
Guys?
770
00:39:23,320 --> 00:39:24,320
Kimmy?
771
00:39:24,720 --> 00:39:26,400
Who's Kimmy?
772
00:39:28,160 --> 00:39:31,639
Madam Roban.
She's... she's still alive.
773
00:39:31,640 --> 00:39:35,399
She's supposed to be dead, and
the story's all messed up now.
774
00:39:35,400 --> 00:39:37,519
- You're... you're frightening me.
- Guys?
775
00:39:37,520 --> 00:39:39,000
G-Guys?
776
00:39:40,080 --> 00:39:43,200
Kimmy, it's not cool to
leave me hanging like this.
777
00:39:44,280 --> 00:39:46,680
- Please tell me what's happening.
- Guys?
778
00:39:49,680 --> 00:39:52,240
- Alex?
- I'm not fucking Alex!
779
00:39:56,480 --> 00:39:58,039
I need to speak to Kimmy, okay?
780
00:39:58,040 --> 00:40:01,120
I'd... I'd explain,
but you won't get it.
781
00:40:02,760 --> 00:40:04,359
How do you know
what I won't get?
782
00:40:04,360 --> 00:40:08,199
The world's broken, and
they're gonna have to reset it.
783
00:40:08,200 --> 00:40:11,160
You... probably won't
remember any of this.
784
00:40:11,800 --> 00:40:15,199
The movie is over. I
repeat, the movie is over!
785
00:40:15,200 --> 00:40:16,759
- What movie?
- The...
786
00:40:16,760 --> 00:40:20,320
Oh my God. This whole
world's a movie.
787
00:40:21,520 --> 00:40:23,600
No, it's not.
788
00:40:25,600 --> 00:40:26,960
Look around.
789
00:40:27,760 --> 00:40:29,560
Yeah. It's not even in color.
790
00:40:30,400 --> 00:40:31,800
I don't know what you mean.
791
00:40:37,400 --> 00:40:38,400
See this banana?
792
00:40:39,840 --> 00:40:40,840
Not yellow.
793
00:40:43,200 --> 00:40:44,200
This orange?
794
00:40:45,160 --> 00:40:46,319
Un-orange.
795
00:40:46,320 --> 00:40:48,319
That's a perfectly
normal orange.
796
00:40:51,360 --> 00:40:52,959
So what color is this apple?
797
00:40:52,960 --> 00:40:54,839
The same color an
apple always is.
798
00:40:54,840 --> 00:40:56,360
Red or green?
799
00:40:59,640 --> 00:41:02,400
See? None of this is real.
800
00:41:03,400 --> 00:41:04,640
You're not real.
801
00:41:06,000 --> 00:41:08,319
I... No, I'm... I'm
as real as you are.
802
00:41:11,760 --> 00:41:13,600
Do you remember being a kid?
803
00:41:14,120 --> 00:41:16,600
Do you have any childhood
memories at all?
804
00:41:17,360 --> 00:41:18,199
I...
805
00:41:18,200 --> 00:41:19,720
You mentioned your dad earlier.
806
00:41:20,480 --> 00:41:22,480
Can you describe
what he looks like?
807
00:41:23,000 --> 00:41:24,200
Anything about him?
808
00:41:26,400 --> 00:41:27,600
- You can't.
- I...
809
00:41:28,520 --> 00:41:31,520
You don't even know his face
because he's not in this movie.
810
00:41:32,400 --> 00:41:35,239
I don't... I don't
like this game.
811
00:41:35,240 --> 00:41:37,200
No, that... that's exactly it.
812
00:41:37,720 --> 00:41:38,639
It's a game.
813
00:41:38,640 --> 00:41:41,079
It's... "let's pretend."
It's a performance.
814
00:41:41,080 --> 00:41:42,400
You're a performance!
815
00:41:44,280 --> 00:41:45,280
No.
816
00:41:46,240 --> 00:41:47,119
Stop it. I'm...
817
00:41:47,120 --> 00:41:50,200
When I called you Dorothy earlier,
she wasn't someone I knew.
818
00:41:50,840 --> 00:41:52,079
She was you.
819
00:41:52,080 --> 00:41:53,440
The real you.
820
00:41:54,400 --> 00:41:55,480
She's an actress.
821
00:41:56,120 --> 00:41:58,360
Or... was an actress.
822
00:42:00,040 --> 00:42:01,320
Dorothy Chambers?
823
00:42:03,960 --> 00:42:05,159
You're a role she played.
824
00:42:09,760 --> 00:42:10,760
No.
825
00:42:11,480 --> 00:42:13,160
No, no.
826
00:42:19,920 --> 00:42:20,920
Shit.
827
00:43:07,240 --> 00:43:08,240
Hey.
828
00:43:10,920 --> 00:43:14,759
Uh, I'm sorry I yelled
at you back there.
829
00:43:14,760 --> 00:43:19,400
This... whole thing's just
really hard to explain.
830
00:43:21,280 --> 00:43:23,720
This is all a story
831
00:43:24,880 --> 00:43:26,160
in a computer.
832
00:43:26,680 --> 00:43:27,680
Or, uh...
833
00:43:29,000 --> 00:43:32,680
Or I... I guess think
of it like a play
834
00:43:33,840 --> 00:43:36,480
in the brain of a machine.
835
00:43:37,720 --> 00:43:40,960
For now, the movie's stopped...
836
00:43:42,960 --> 00:43:43,919
for the moment.
837
00:43:43,920 --> 00:43:45,040
I don't know why.
838
00:43:46,440 --> 00:43:48,320
Maybe some technical problem.
839
00:43:53,400 --> 00:43:56,320
I know I said you weren't real.
840
00:43:59,240 --> 00:44:00,920
But I'm kind of not either.
841
00:44:05,680 --> 00:44:08,800
My name's not Alex. It's Brandy.
842
00:44:09,640 --> 00:44:11,600
I'm like you.
843
00:44:12,720 --> 00:44:13,760
I'm an actor.
844
00:44:15,680 --> 00:44:17,400
They... they hired me to...
845
00:44:19,400 --> 00:44:22,120
recast this whole thing.
846
00:44:26,760 --> 00:44:27,960
I don't know if
847
00:44:29,200 --> 00:44:32,160
any of this makes
any sense to you?
848
00:44:44,520 --> 00:44:45,800
But, um...
849
00:44:48,800 --> 00:44:49,960
I'm really sorry.
850
00:45:21,320 --> 00:45:24,279
Wait. So the story's on
hold, but time's still advancing?
851
00:45:24,280 --> 00:45:26,679
Yeah, the chronographic
tempo's way out of whack.
852
00:45:26,680 --> 00:45:27,759
Which means?
853
00:45:27,760 --> 00:45:31,560
It means time in there for her is running
a lot faster than it is for us out here.
854
00:45:33,040 --> 00:45:34,119
Faster, as in?
855
00:45:34,120 --> 00:45:37,200
As in six, seven hours a second.
856
00:45:37,840 --> 00:45:40,360
Does that mean we have
to pay her for more days?
857
00:45:50,920 --> 00:45:53,639
- Clara?
- I thought you said I was Dorothy.
858
00:45:53,640 --> 00:45:55,919
Sleeping in the lobby
makes you look like a hobo.
859
00:45:55,920 --> 00:45:57,999
I tried the doors. None
of them have insides.
860
00:45:58,000 --> 00:46:00,639
They're not part of the
story. Where are you going?
861
00:46:00,640 --> 00:46:02,279
To find a way out.
862
00:46:02,280 --> 00:46:04,160
- I'll come with you.
- No, you won't.
863
00:47:04,880 --> 00:47:06,720
Something just
breached the fringe.
864
00:47:07,600 --> 00:47:08,439
What?
865
00:47:27,880 --> 00:47:28,960
There it is again.
866
00:47:29,720 --> 00:47:30,959
Is it Brandy?
867
00:48:07,600 --> 00:48:09,680
I think it might be Clara.
868
00:48:10,680 --> 00:48:12,320
- Clara?
- Yeah.
869
00:48:13,680 --> 00:48:16,199
She... she would've been
exposed to the full data pool.
870
00:48:16,200 --> 00:48:17,280
I guess.
871
00:48:18,280 --> 00:48:20,480
Do we think that's... bad?
872
00:48:21,560 --> 00:48:23,440
Yeah. Yeah, that's...
873
00:48:24,840 --> 00:48:25,840
Oh no.
874
00:48:27,240 --> 00:48:29,840
- You seriously have to fix this.
- You seriously have to let me.
875
00:50:53,320 --> 00:50:54,360
Stop.
876
00:50:57,320 --> 00:51:01,039
Look, I may not be real, and you
may not be who you say you are,
877
00:51:01,040 --> 00:51:05,960
and this entire existence might
be a meaningless pantomime, but
878
00:51:07,720 --> 00:51:09,759
if you and I are going to
be stuck here together,
879
00:51:09,760 --> 00:51:13,760
then I'm not going to let you
defile that piano one moment longer.
880
00:51:14,960 --> 00:51:16,000
Go on, budge.
881
00:51:16,760 --> 00:51:18,640
Sit over there. Watch and learn.
882
00:51:22,680 --> 00:51:24,519
Come on,
come on, come on!
883
00:51:24,520 --> 00:51:26,879
I think I've got something.
884
00:51:26,880 --> 00:51:27,919
Uh...
885
00:51:27,920 --> 00:51:29,839
- Oh my God.
- Whoa. What's that?
886
00:51:29,840 --> 00:51:30,759
- Clara...
- Okay.
887
00:51:30,760 --> 00:51:32,520
Why is Clara at the piano?
888
00:51:33,680 --> 00:51:35,999
- That's not in the script.
- What is that?
889
00:51:36,000 --> 00:51:37,440
What is she doing?
890
00:51:38,080 --> 00:51:39,319
Oh, uh...
891
00:51:39,320 --> 00:51:41,840
- What?
- What? Oh God.
892
00:51:44,000 --> 00:51:46,080
- Ready?
- I'm ready.
893
00:54:48,080 --> 00:54:50,240
- Morning.
- Morning.
894
00:54:58,440 --> 00:54:59,440
I love you.
895
00:55:02,320 --> 00:55:03,320
Mm-hmm.
896
00:55:04,720 --> 00:55:05,879
"Mm-hmm"?
897
00:55:08,080 --> 00:55:09,679
You know I do too. I...
898
00:55:09,680 --> 00:55:11,039
Phew.
899
00:55:13,160 --> 00:55:14,160
I just...
900
00:55:15,520 --> 00:55:16,520
I wonder...
901
00:55:16,960 --> 00:55:18,120
What do you wonder?
902
00:55:19,920 --> 00:55:23,360
Do you think you love me because
903
00:55:25,240 --> 00:55:26,640
Clara was written
904
00:55:27,600 --> 00:55:28,800
to feel that way?
905
00:55:30,160 --> 00:55:32,480
About this person
she met, this...
906
00:55:34,880 --> 00:55:36,120
this Alex Palmer.
907
00:55:41,040 --> 00:55:42,720
But you're not Alex Palmer.
908
00:55:57,160 --> 00:55:59,640
- We have got a save state!
- Thank God!
909
00:56:00,640 --> 00:56:02,599
Chronographic
tempo restored.
910
00:56:02,600 --> 00:56:04,319
I think we can
reinstate comms too.
911
00:56:04,320 --> 00:56:05,959
- I can talk to her?
- Voice only.
912
00:56:05,960 --> 00:56:08,080
We won't have a
visual until we reset.
913
00:56:08,600 --> 00:56:09,600
Brandy?
914
00:56:10,920 --> 00:56:11,920
Brandy?
915
00:56:12,440 --> 00:56:14,159
- Kimmy?
- Oh, thank God!
916
00:56:14,160 --> 00:56:15,999
Brandy? What is it?
917
00:56:16,000 --> 00:56:17,080
It's them.
918
00:56:17,960 --> 00:56:19,720
- Them?
- As in "them."
919
00:56:20,480 --> 00:56:22,559
You mean the people
on the outside?
920
00:56:22,560 --> 00:56:24,559
Look, we had a hardware issue.
921
00:56:24,560 --> 00:56:26,800
We're just gonna have to pick
it up from where we were.
922
00:56:27,760 --> 00:56:29,319
Where we were? As in...
923
00:56:29,320 --> 00:56:31,519
The... the scene
in Clara's hotel suite.
924
00:56:31,520 --> 00:56:32,919
The kiss after the scorpion.
925
00:56:32,920 --> 00:56:34,480
Bit of time has passed for her.
926
00:56:35,320 --> 00:56:37,119
Wait, we're going back to...
927
00:56:37,120 --> 00:56:39,240
Resetting the
scorpion scene, yes.
928
00:56:41,920 --> 00:56:46,520
Uh, wait, Clara's here, and she
knows who I am, and we've been...
929
00:56:47,240 --> 00:56:48,639
No, don't worry.
930
00:56:48,640 --> 00:56:51,999
Um, she won't remember anything
that occurred after the save point.
931
00:56:52,000 --> 00:56:53,160
Okay. Save state prepped.
932
00:56:54,400 --> 00:56:55,679
She won't remember?
933
00:56:55,680 --> 00:56:58,119
No, just back to the
film like nothing happened.
934
00:56:58,120 --> 00:56:59,480
What won't I remember?
935
00:57:00,000 --> 00:57:01,599
Um, you ready?
936
00:57:01,600 --> 00:57:05,199
Reloading save
state in five. Four.
937
00:57:05,200 --> 00:57:07,040
- Link reestablished.
- Three.
938
00:57:08,640 --> 00:57:09,679
Two.
939
00:57:09,680 --> 00:57:11,599
- One.
- Wait! No, no, no, no!
940
00:57:14,600 --> 00:57:16,520
My heart is pounding
like a drum.
941
00:57:17,120 --> 00:57:18,319
- Yes!
- Great.
942
00:57:18,320 --> 00:57:19,560
Oh, thank God.
943
00:57:25,680 --> 00:57:27,360
She's got dialogue here.
944
00:57:29,480 --> 00:57:30,480
Brandy?
945
00:57:31,280 --> 00:57:33,120
You're supposed to
say, "As is mine."
946
00:57:34,840 --> 00:57:35,840
Brandy?
947
00:57:37,080 --> 00:57:38,320
As is mine.
948
00:57:39,640 --> 00:57:42,000
I feel as though the whole
world has stopped turning.
949
00:57:42,520 --> 00:57:43,520
"So do I."
950
00:57:44,000 --> 00:57:45,440
The line is, "So do I."
951
00:57:48,120 --> 00:57:49,399
So do I.
952
00:57:49,400 --> 00:57:50,680
Oh my word.
953
00:57:55,040 --> 00:57:56,400
I'm a married woman.
954
00:57:58,040 --> 00:58:00,040
I mustn't behave
this way. I can't
955
00:58:01,360 --> 00:58:02,400
feel this way.
956
00:58:07,520 --> 00:58:08,520
"Feel what way?"
957
00:58:10,800 --> 00:58:11,840
Feel what way?
958
00:58:14,360 --> 00:58:15,680
Don't make me say it.
959
00:58:22,000 --> 00:58:23,559
Um, okay, so your
line here is...
960
00:58:23,560 --> 00:58:25,640
You don't have to say
anything you don't want to.
961
00:58:27,120 --> 00:58:28,160
That's not the line.
962
00:58:28,920 --> 00:58:30,760
- What?
- What's going on?
963
00:58:32,320 --> 00:58:33,400
You must go.
964
00:58:36,640 --> 00:58:38,480
You heard her. You gotta go.
965
00:58:39,800 --> 00:58:40,879
I don't want to.
966
00:58:40,880 --> 00:58:42,719
Jesus Christ!
967
00:58:42,720 --> 00:58:44,119
Oh, but you must.
968
00:58:44,120 --> 00:58:46,320
Yes, Brandy.
You really must!
969
00:58:46,840 --> 00:58:48,280
It's part of the story.
970
00:58:50,200 --> 00:58:52,800
I'm so sorry, Dr. Palmer.
971
00:58:57,560 --> 00:58:58,560
So am I.
972
00:59:05,560 --> 00:59:06,919
How we doing in there?
973
00:59:08,840 --> 00:59:10,040
Um, Brandy?
974
00:59:10,640 --> 00:59:11,720
You... you can talk to me.
975
00:59:13,680 --> 00:59:14,680
I'm here.
976
00:59:15,160 --> 00:59:16,279
I need you to focus.
977
00:59:16,280 --> 00:59:17,800
Can you focus?
978
00:59:19,560 --> 00:59:21,759
Look, all you need to
do is keep the arc going
979
00:59:21,760 --> 00:59:24,039
and say your final
line at the right time.
980
00:59:24,040 --> 00:59:25,360
Trigger the end credits.
981
00:59:25,880 --> 00:59:28,800
When the credits roll, we
can extract you. You got it?
982
00:59:30,280 --> 00:59:32,040
What... what if I don't say it?
983
00:59:33,160 --> 00:59:33,999
What?
984
00:59:34,000 --> 00:59:36,960
What happens if I don't
say the final line?
985
00:59:37,640 --> 00:59:41,040
Um, well, you'd
be stuck in there.
986
00:59:41,960 --> 00:59:42,839
For how long?
987
00:59:42,840 --> 00:59:43,799
Forever.
988
00:59:43,800 --> 00:59:45,880
Mm.
989
00:59:48,040 --> 00:59:51,200
And, listen, Brandy,
if that happens,
990
00:59:52,000 --> 00:59:53,960
your actual body out here,
991
00:59:55,320 --> 00:59:56,560
that would die.
992
00:59:57,160 --> 00:59:59,040
But... but my spirit,
993
01:00:00,360 --> 01:00:02,480
consciousness,
whatever, that would...
994
01:00:03,840 --> 01:00:05,080
that would stay here?
995
01:00:05,960 --> 01:00:06,960
With her?
996
01:00:10,080 --> 01:00:11,680
Brandy, what are you asking me?
997
01:00:16,200 --> 01:00:17,039
Nothing.
998
01:00:17,040 --> 01:00:19,480
Good. Don't lose it now.
999
01:00:20,160 --> 01:00:22,120
I won't. What happens next?
1000
01:00:22,720 --> 01:00:25,359
Courtyard scene. You
head out for a smoke,
1001
01:00:25,360 --> 01:00:27,520
overhear Otto tell Claude
about the scorpion.
1002
01:00:28,920 --> 01:00:30,599
- We good?
- Sure.
1003
01:00:30,600 --> 01:00:33,839
Uh, head out, light my
cigarette, overhear the bad guys.
1004
01:00:36,920 --> 01:00:38,480
What is going on with her?
1005
01:00:39,000 --> 01:00:40,639
I... don't know.
1006
01:00:40,640 --> 01:00:43,680
Scene 63. Alex
smoking in the garden.
1007
01:00:44,200 --> 01:00:46,759
Well, is my
problem taken care of?
1008
01:00:46,760 --> 01:00:48,800
No, boss.
1009
01:00:49,360 --> 01:00:52,279
The doctor
trapped it in a glass.
1010
01:00:52,280 --> 01:00:53,639
Wait. What doctor?
1011
01:00:53,640 --> 01:00:55,520
The one attending to her.
1012
01:00:56,080 --> 01:00:58,399
Earlier, she fell and
twisted her ankle.
1013
01:00:58,400 --> 01:01:00,679
If only she'd snapped her neck.
1014
01:01:00,680 --> 01:01:04,719
Look surprised as you overhear them.
This is fresh information to you.
1015
01:01:04,720 --> 01:01:06,920
She dies tonight.
1016
01:01:07,600 --> 01:01:10,199
Great. Now beat it
back to Clara's suite
1017
01:01:10,200 --> 01:01:12,959
before the assholes start
discussing the rooftop plot.
1018
01:01:12,960 --> 01:01:14,440
Let's try plan C.
1019
01:01:16,240 --> 01:01:18,679
Did you sabotage the
railing as we agreed?
1020
01:01:18,680 --> 01:01:20,719
Loosened up nicely, boss.
1021
01:01:20,720 --> 01:01:21,920
Excellent.
1022
01:01:22,600 --> 01:01:25,759
I'll invite her up there
to take in the view,
1023
01:01:25,760 --> 01:01:27,799
then a quick shove,
1024
01:01:27,800 --> 01:01:30,319
then my troubles are over.
1025
01:01:32,840 --> 01:01:34,639
- Hey.
- Alex.
1026
01:01:34,640 --> 01:01:38,600
- Your husband's trying to kill you.
- If this is another of your absurd japes...
1027
01:01:39,200 --> 01:01:43,319
My husband may have many faults,
Dr. Palmer, but a murderer he is not.
1028
01:01:43,320 --> 01:01:44,960
Darling.
1029
01:01:46,320 --> 01:01:47,519
- Who are you?
- Bran...
1030
01:01:47,520 --> 01:01:49,359
- Alex Palmer.
- Crystal, how we doing?
1031
01:01:49,360 --> 01:01:52,359
- Okay. I have a pitch for the third act.
- Uh-huh.
1032
01:01:52,360 --> 01:01:55,279
So, at the end of this scene,
uh, Alex leaves the room,
1033
01:01:55,280 --> 01:01:56,919
spots Otto, threatens him.
1034
01:01:56,920 --> 01:01:59,399
So then Otto tells Alex
about the loosened railing.
1035
01:01:59,400 --> 01:02:01,279
But Alex already knows
they'll be on the roof,
1036
01:02:01,280 --> 01:02:03,239
so that beat's actually
sort of redundant.
1037
01:02:03,240 --> 01:02:04,240
That's right.
1038
01:02:04,720 --> 01:02:07,319
So what if, instead
of chasing Otto,
1039
01:02:07,320 --> 01:02:09,959
Alex runs across the street
to the police station,
1040
01:02:09,960 --> 01:02:12,639
warns them about Claude,
then she can meet Lavigne?
1041
01:02:12,640 --> 01:02:15,519
- And diagnose his allergies there.
- Great.
1042
01:02:15,520 --> 01:02:16,760
Do I get a credit?
1043
01:02:17,360 --> 01:02:18,239
If it works.
1044
01:02:18,240 --> 01:02:19,400
Okay.
1045
01:02:20,080 --> 01:02:22,479
- Will it work?
- Don't ask me. You called it "great."
1046
01:02:22,480 --> 01:02:23,759
There's no time for notes.
1047
01:02:23,760 --> 01:02:26,079
Is there anything I can help
you with, my good doctor?
1048
01:02:26,080 --> 01:02:30,040
The doctor was just leaving.
I'll show you out, Dr. Palmer.
1049
01:02:34,200 --> 01:02:36,639
- I swear that's the voice I heard.
- That's enough.
1050
01:02:36,640 --> 01:02:38,719
- Please, I...
- I want you to leave this room.
1051
01:02:38,720 --> 01:02:41,320
And you can leave this
damned hotel for all I care.
1052
01:02:41,960 --> 01:02:43,600
I never want to see you again.
1053
01:02:49,240 --> 01:02:50,240
My darling.
1054
01:02:53,680 --> 01:02:56,359
Okay, so this is where
you'd usually turn left.
1055
01:02:56,360 --> 01:02:59,999
Yeah, spot Otto, give chase, get the
info about the rooftop. I've got it.
1056
01:03:00,000 --> 01:03:02,840
No, no, no. We have a
rewrite. Uh, new pages.
1057
01:03:04,080 --> 01:03:04,919
Okay.
1058
01:03:04,920 --> 01:03:08,039
So you have to make a right
and head to the police station.
1059
01:03:08,040 --> 01:03:09,039
Across the street?
1060
01:03:09,040 --> 01:03:10,839
Demand to speak to the
highest-ranking cop.
1061
01:03:10,840 --> 01:03:12,679
- Uh, Lavigne.
- Correct.
1062
01:03:12,680 --> 01:03:15,439
All you have to do is tell him
Clara's husband is plotting something.
1063
01:03:15,440 --> 01:03:18,199
- He won't believe you, but...
- But he'll sneeze.
1064
01:03:18,200 --> 01:03:22,199
I'll diagnose his cologne allergy,
and he'll remember me for the finale.
1065
01:03:22,200 --> 01:03:23,679
- Yeah, that works.
- But hurry, okay?
1066
01:03:23,680 --> 01:03:25,479
Okay, it's creating a new scene.
1067
01:03:25,480 --> 01:03:28,519
Interior. Police station. Night.
1068
01:03:31,200 --> 01:03:33,119
Just a dog?
1069
01:03:33,120 --> 01:03:35,440
Bonbon was not just a dog.
1070
01:03:36,120 --> 01:03:37,879
And he was murdered.
1071
01:03:37,880 --> 01:03:39,679
Oh no, Madam Roban!
1072
01:03:39,680 --> 01:03:41,319
I forgot she was still in play.
1073
01:03:41,320 --> 01:03:42,479
- Oh.
- Damn it!
1074
01:03:42,480 --> 01:03:45,800
Brandy, just ignore the
French lady. Jump the line.
1075
01:03:46,480 --> 01:03:49,519
I need to speak to
your most senior inspector here.
1076
01:03:49,520 --> 01:03:51,799
Please wait your turn.
Madam was here first.
1077
01:03:51,800 --> 01:03:53,920
And I am reporting a murder.
1078
01:03:54,440 --> 01:03:56,800
Yes, of your poor sweet dog.
1079
01:03:57,400 --> 01:03:59,159
- That's right.
- That's why I'm here.
1080
01:03:59,160 --> 01:04:00,119
It is?
1081
01:04:00,120 --> 01:04:01,159
No, it isn't.
1082
01:04:01,160 --> 01:04:04,720
Yes, I know the man responsible
for murdering Bonbon.
1083
01:04:05,240 --> 01:04:07,039
- Bonbon?
- Madam's dog.
1084
01:04:07,040 --> 01:04:08,119
You do?
1085
01:04:08,120 --> 01:04:11,239
Yes. The most dangerous maniac.
1086
01:04:11,240 --> 01:04:12,679
And who is this maniac?
1087
01:04:12,680 --> 01:04:15,439
I'll only tell your most
senior inspector here.
1088
01:04:15,440 --> 01:04:17,800
What's all this?
Explain yourself.
1089
01:04:20,360 --> 01:04:21,480
Four minutes.
1090
01:04:22,160 --> 01:04:23,959
Brandy, just
summarize and split.
1091
01:04:23,960 --> 01:04:26,319
This woman's dog has been
murdered by Claude Ryce-Lechere.
1092
01:04:26,320 --> 01:04:28,880
He's about to kill his wife.
He's been trying for days.
1093
01:04:29,560 --> 01:04:31,399
What are you talking about?
1094
01:04:32,640 --> 01:04:34,879
Also, I'm a doctor. You're
allergic to your cologne.
1095
01:04:34,880 --> 01:04:36,759
Change it, and
you'll stop sneezing.
1096
01:04:36,760 --> 01:04:39,359
Okay, listen out
for gunshots, okay?
1097
01:04:39,360 --> 01:04:40,880
And remember this face.
1098
01:04:42,880 --> 01:04:45,360
Final murder attempt imminent.
1099
01:04:48,920 --> 01:04:49,920
Oh, Claude.
1100
01:04:50,320 --> 01:04:51,800
Oh, it's so romantic.
1101
01:04:52,600 --> 01:04:54,039
Is everything all right?
1102
01:04:54,040 --> 01:04:56,440
Yes. It's just, um,
1103
01:04:57,160 --> 01:04:58,760
you've been so busy.
1104
01:05:00,000 --> 01:05:03,319
I thought it was high time
you got what you deserve.
1105
01:05:03,320 --> 01:05:04,360
Darling.
1106
01:05:09,480 --> 01:05:10,319
Was that enough?
1107
01:05:10,320 --> 01:05:11,600
Uh, mm...
1108
01:05:12,200 --> 01:05:14,119
- We think so.
- You can't tell?
1109
01:05:14,120 --> 01:05:15,479
Three minutes remaining.
1110
01:05:15,480 --> 01:05:16,680
Just head to the roof.
1111
01:05:19,000 --> 01:05:20,520
How confident are we?
1112
01:05:21,400 --> 01:05:22,799
4.5.
1113
01:05:22,800 --> 01:05:24,040
Out of...
1114
01:05:25,320 --> 01:05:27,799
- I'll tell you later.
- Seven minutes until end credits.
1115
01:05:27,800 --> 01:05:29,359
I chose this spot
1116
01:05:29,360 --> 01:05:34,119
so you could enjoy the finest
vantage point in all of Cairo.
1117
01:05:34,120 --> 01:05:35,399
You do think of everything.
1118
01:05:35,400 --> 01:05:36,600
Indeed, I have.
1119
01:05:37,200 --> 01:05:38,200
Why,
1120
01:05:38,640 --> 01:05:42,000
oh, look at the pretty oil
lamps of the street vendors.
1121
01:05:43,080 --> 01:05:44,520
I can't make them out.
1122
01:05:45,040 --> 01:05:47,519
Come a little closer.
Lean over the railing.
1123
01:05:47,520 --> 01:05:50,120
I...
It looks a bit dirty.
1124
01:05:50,640 --> 01:05:51,760
I don't know.
1125
01:05:53,200 --> 01:05:56,119
But it... it also
looks quite unsafe.
1126
01:05:56,120 --> 01:05:58,199
Nonsense.
Lean against it.
1127
01:05:58,200 --> 01:06:00,759
- I re... I really don't want to.
- I said lean!
1128
01:06:00,760 --> 01:06:02,439
Claude, what has got into you?
1129
01:06:06,880 --> 01:06:09,079
Just do as I say.
1130
01:06:09,080 --> 01:06:12,120
- No, please, no!
- Lean over the railing. Lean!
1131
01:06:12,760 --> 01:06:13,679
What?
1132
01:06:13,680 --> 01:06:15,759
- Get away from her!
- Not one step closer.
1133
01:06:15,760 --> 01:06:18,239
The police station
is across the street.
1134
01:06:18,240 --> 01:06:20,279
Pull that trigger,
they'll come running.
1135
01:06:20,280 --> 01:06:24,120
Well, that's a chance
I'm willing to take.
1136
01:06:25,280 --> 01:06:26,919
Alex, no!
1137
01:06:32,680 --> 01:06:35,200
Come here.
1138
01:06:37,720 --> 01:06:40,519
I knew something
was amiss with you.
1139
01:06:40,520 --> 01:06:42,439
Huh? The good doctor.
1140
01:06:42,440 --> 01:06:44,160
Well...
1141
01:06:45,160 --> 01:06:47,079
The story arc really
doesn't like this.
1142
01:06:47,080 --> 01:06:49,359
This is the end for you both.
1143
01:06:56,760 --> 01:06:58,719
You?
1144
01:07:00,840 --> 01:07:02,280
What did she do that for?
1145
01:07:02,920 --> 01:07:05,040
- I don't...
- Claude's not meant to die.
1146
01:07:06,240 --> 01:07:07,519
No, he's not.
1147
01:07:07,520 --> 01:07:09,240
Police inbound.
1148
01:07:10,280 --> 01:07:12,079
Shit, they'll arrest Clara.
1149
01:07:12,080 --> 01:07:13,639
What will happen
if they do that?
1150
01:07:13,640 --> 01:07:18,039
So they cuff Clara, and they
haul her away on a murder charge.
1151
01:07:18,040 --> 01:07:20,599
But Alex can still say the last
line as they drag Clara away.
1152
01:07:20,600 --> 01:07:24,359
- That should trigger the credits.
- So it... it becomes a tearjerker?
1153
01:07:24,360 --> 01:07:27,439
Young love destroyed when one
of them winds up in the slammer?
1154
01:07:27,440 --> 01:07:29,600
I... I don't know. It's
different, but it works.
1155
01:07:30,200 --> 01:07:33,399
- A bit ahead of its time.
- It gets her out of there.
1156
01:07:33,400 --> 01:07:35,119
I killed him.
1157
01:07:35,120 --> 01:07:36,879
- Brandy, new ending.
- I killed him.
1158
01:07:36,880 --> 01:07:39,559
- The cops are coming.
- The police are coming.
1159
01:07:39,560 --> 01:07:41,199
- They'll arrest her.
- They'll arrest you.
1160
01:07:41,200 --> 01:07:43,319
- Let them.
- Yes, let them.
1161
01:07:43,320 --> 01:07:44,679
And then what happens?
1162
01:07:44,680 --> 01:07:46,119
She goes to jail. So what?
1163
01:07:46,120 --> 01:07:48,919
- For how long?
- From her perspective, forever.
1164
01:07:48,920 --> 01:07:51,079
But she's not fucking
real, so who cares, Brandy?
1165
01:07:51,080 --> 01:07:53,720
I was born in a cage.
I should die in a cage.
1166
01:07:54,240 --> 01:07:55,239
I...
1167
01:07:55,240 --> 01:07:56,359
No!
1168
01:08:00,160 --> 01:08:02,280
- Uh...
- What are you doing?
1169
01:08:02,880 --> 01:08:04,879
- We tell the police I shot your husband.
- No.
1170
01:08:04,880 --> 01:08:05,799
They'll arrest me.
1171
01:08:05,800 --> 01:08:07,439
- No.
- Believe me. It is the best way.
1172
01:08:07,440 --> 01:08:08,559
I won't let them.
1173
01:08:08,560 --> 01:08:09,560
Story arc is critical.
1174
01:08:14,440 --> 01:08:15,480
I love you.
1175
01:08:17,920 --> 01:08:19,040
And I love you.
1176
01:08:32,840 --> 01:08:33,840
Forgive me.
1177
01:08:35,480 --> 01:08:37,120
Clara, no!
1178
01:08:37,960 --> 01:08:39,600
- What are you doing?
- Stop!
1179
01:08:40,200 --> 01:08:41,600
Stop, or I shoot.
1180
01:08:42,480 --> 01:08:43,519
Drop your weapon.
1181
01:08:43,520 --> 01:08:45,480
Wait. I know this person.
1182
01:08:46,520 --> 01:08:47,640
He's a doctor. He...
1183
01:08:49,160 --> 01:08:50,400
No!
1184
01:08:51,040 --> 01:08:52,040
Oh God.
1185
01:09:00,200 --> 01:09:01,519
No!
1186
01:09:07,880 --> 01:09:09,159
No. No.
1187
01:09:13,360 --> 01:09:14,720
Don't cry for me.
1188
01:09:19,440 --> 01:09:20,560
Remember me.
1189
01:09:26,280 --> 01:09:27,239
Arc closing?
1190
01:09:32,440 --> 01:09:34,080
Her body's
going into shock.
1191
01:09:34,880 --> 01:09:37,840
I can't extract till she cues
titles. She's gotta say the line.
1192
01:09:39,160 --> 01:09:40,200
{\an8}Say the line, Brandy.
1193
01:09:41,480 --> 01:09:42,480
Say the line.
1194
01:09:44,040 --> 01:09:45,400
No!
1195
01:09:55,640 --> 01:09:57,000
Brandy.
1196
01:09:58,560 --> 01:09:59,960
{\an8}Brandy, say the line.
1197
01:10:01,600 --> 01:10:02,959
Say the line, Brandy.
1198
01:10:06,840 --> 01:10:08,040
I'll be yours
1199
01:10:09,640 --> 01:10:10,960
forevermore.
1200
01:10:28,240 --> 01:10:30,240
- We have an ending.
- Extracting.
1201
01:10:31,360 --> 01:10:33,519
Do you think
it worked? The ending?
1202
01:10:33,520 --> 01:10:35,040
Did it for me.
1203
01:10:36,560 --> 01:10:37,560
Roll credits.
1204
01:11:03,920 --> 01:11:05,600
Not a dry eye in the house.
1205
01:11:24,560 --> 01:11:25,879
Last century,
1206
01:11:25,880 --> 01:11:29,120
Keyworth Pictures invited
guests to Hotel Reverie.
1207
01:11:29,640 --> 01:11:33,199
Now, with the help of ReDream
and our friends at Streamberry,
1208
01:11:33,200 --> 01:11:35,080
we'd like to welcome you back.
1209
01:11:36,440 --> 01:11:39,599
You might notice a few
changes in the old place.
1210
01:11:39,600 --> 01:11:44,639
Renowned Dr. Alex Palmer encounters
tragic heiress Clara Ryce.
1211
01:11:44,640 --> 01:11:47,599
Waiter, another scotch,
please. And for yourself?
1212
01:11:47,600 --> 01:11:49,400
Thank you. A Black Rose.
1213
01:11:50,000 --> 01:11:51,080
A rose for a rose.
1214
01:11:55,000 --> 01:11:58,160
A piano standing silent
always makes me so melancholy.
1215
01:11:58,680 --> 01:11:59,719
It's silly, I know.
1216
01:11:59,720 --> 01:12:03,319
If it's "Clair de Lune" you want,
it's "Clair de Lune" you shall have.
1217
01:12:03,320 --> 01:12:05,799
Yet, even as
their affection grows,
1218
01:12:05,800 --> 01:12:09,159
the pair are unaware of Clara's
fiendish husband, Claude,
1219
01:12:09,160 --> 01:12:10,639
plotting her death.
1220
01:12:10,640 --> 01:12:14,079
My accursed wife has more
lives than a damn cat.
1221
01:12:14,080 --> 01:12:15,839
She dies tonight.
1222
01:12:15,840 --> 01:12:16,759
Don't move.
1223
01:12:16,760 --> 01:12:18,919
Oh my goodness!
1224
01:13:26,560 --> 01:13:29,400
So I... I just pretend it's
a normal telephone call?
1225
01:13:30,640 --> 01:13:31,759
Well, yes.
1226
01:13:31,760 --> 01:13:34,559
Right
you are, Capt. Keyworth.
1227
01:13:35,880 --> 01:13:38,319
I'm... I'm here waiting
for it to ring. It...
1228
01:13:38,320 --> 01:13:39,999
but it's not connected, is it?
1229
01:13:40,000 --> 01:13:41,840
No.
1230
01:14:00,520 --> 01:14:03,440
Hello,
Ryce-Lechere residence.
1231
01:14:06,120 --> 01:14:07,120
Hi.
1232
01:14:07,680 --> 01:14:08,680
Who's this?
1233
01:14:10,640 --> 01:14:12,080
A... friend?
1234
01:14:13,920 --> 01:14:14,960
Do I know you?
1235
01:14:17,400 --> 01:14:19,440
Yes and no.
1236
01:14:22,400 --> 01:14:23,760
What an intriguing answer.
1237
01:14:24,560 --> 01:14:25,960
Well, tell me more.
1238
01:14:27,840 --> 01:14:29,440
How much time do you have?
1239
01:14:30,560 --> 01:14:32,320
Since you've got a kind voice...
1240
01:14:34,480 --> 01:14:36,280
I've got all the
time in the world.